Showing posts with label Steven Spielberg. Show all posts
Showing posts with label Steven Spielberg. Show all posts

Monday, January 13, 2025

The Lost World: Jurassic Park. A Review


THE LOST WORLD: JURASSIC PARK

The original Jurassic Park became one of the biggest hits of all time. With that, a sequel seemed almost preordained. Thus, The Lost World: Jurassic Park. In a case of "you can't go home again", The Lost World is itself lost in a boring story, poor performances and nothing to justify itself.

Four years after the events on Jurassic Park, scientist Ian Malcolm (Jeff Goldblum) wants nothing to do with anything about the island. Billionaire John Hammond (Richard Attenborough) has other plans, despite having lost control of his company to his nephew Peter Ludlow (Arliss Howard). Hammond wants Malcolm to go to the hereto unknown "Site B", where the Jurassic Park dinosaurs were created and now have free range over. Hammond wants to have Site B or Isla Sonra to be left alone. Peter wants to bring whatever creatures still there to another site in San Diego to compete with other animal parks like the San Diego Zoo and the San Diego Chargers.

Malcolm wants nothing to do with anything with Site B, but he learns that his girlfriend Sarah Harding (Julianne Moore) has eagerly gone to chronicle whatever is on Site B. Determined to rescue Sarah, Malcolm goes to Islan Sonra along with videographer Nick Van Owen (Vince Vaughn) and engineer Eddie Carr (Richard Schiff). Unbeknownst to them, there is a stowaway: Malcolm's daughter Kelly (Vanessa Lee Chester). More unbeknownst to everyone, Ludlow also goes to the island, accompanied by white hunter Roland Tembo (Pete Postlethwaite). Circumstances eventually force them to join together to stay alive when the dinosaurs inevitably go bonkers. Not everyone survives, but despite Malcolm's incessant warnings, Ludlow gets his creature.

Ludlow will not be denied his great discovery to showcase in San Diego. Inevitably things go awry as the dinosaur rampages through San Diego. Will Ian and Sarah be able to save the day?


I think that director Steven Spielberg had, for the longest time, resisted making sequels save for the Indiana Jones series (and I can make the argument that Temple of Doom is a prequel). He famously resisted making an E.T.: The Extra-Terrestrial sequel despite pleas from viewers and studios. Jurassic Park, however, was too good to resist. There could have been a variety of things to take a follow-up to Jurassic Park. The ultimate decision from screenwriter David Koepp (freely adapting the Michael Crichton book) opted to make a film that is dull, lifeless and taking a fascinating premise and doing nothing with it.

There is something irritating about characters who say that they won't do XYZ when we know that they will. It would be nice, for once, if the character said either "Yes, I will go back to try and fix the mess you made" or "I'm not eager to go there, but I will". I think it is because we the audience know that the character will go back. Malcolm's motivation of going to rescue the damsel in distress is not interesting because we do not know who she is.   

Even worse is the character of Malcolm's daughter Kelly. This is the first time we got a mention of Kelly. I leave it to you to decide whether Malcolm's daughter being black needs explanation. It did not matter to me, but one is within their right to wonder. 

It does not help that Chester and Kelly are also awful. Kelly is a terrible character: annoying, whiny and quite dim. At one point, Kelly manages to help Sarah and Ian escape by doing a gymnastic routine to fight the rampaging dinosaurs. You would have to be unconscious to not be laughing uproariously at seeing this moment. I think Kelly had mentioned that she had been on the gymnastics team but if she had, I had pretty much forgotten about it.


Chester gave the worst performance in The Lost World. Robotic delivery and a blank expression throughout, Chester never conveyed any emotion apart from boredom. No one else, however, was all that much better. Goldblum looked equally bored in the film, never trying to do anything new. His expression never changed throughout The Lost World. How and why Julianne Moore is in this film one cannot fathom. Vaughn, I think, tried, but he appeared to overcompensate by being frenetic, at odds with the more sedate manner everyone else had. 

In retrospect, Howard may have been worse than Chester. Carrying a very bad British accent, Howard did not look bored like everyone else in the film. He looked confused. I do not think Howard changed his expression or vocal inflection, as if he was too busy concentrating on having a passable British accent to think about acting. Given how awful that British accent was, he should not have bothered even trying.

The Lost World did not make any sense. How exactly did Kelly manage to stowaway without anyone noticing? When the T. Rex starts rampaging into San Diego, which itself is already bad since the press conference takes place at night, it stomps across a customs office. We see the guards running in terror, but everyone at the customs office never notices this massive monster near them. For long periods of time, no one seems to notice what happened to some of the other characters. 

What sold the first Jurassic Park were the still breathtaking special effects. In The Lost World, they looked, frankly, fake. I was reminded of the Walt Disney World theme ride with the effects being on that level. The green screen looked bad and the animatronic figures equally so.  

As I finished The Lost World: Jurassic Park, I thought that no one had any enthusiasm for anything about it. Sluggish, dull and at times illogical, The Lost World should have remained lost.

Wednesday, January 1, 2025

Jurassic Park: A Review (Review #1921)

 


JURASSIC PARK

When Jurassic Park was released, it was seen as a fun, thrilling, exciting film with groundbreaking special effects. Whether anyone imagined it would be the start of a major franchise that would be the first of five sequels as of this writing (with one set for release later in 2025) I cannot say. The first Jurassic Park film, removed from what would come after, holds up extremely well, does not wear out its welcome and gives people what they wanted.

Billionaire John Hammond (Richard Attenborough) has created what he delightfully calls an animal sanctuary. However, after one of the creatures kills a worker, lawyer Donald Gennaro (Martin Ferrero) will not sign off on Hammond's new venture on behalf of the investors. The only way to get Gennaro and the investors off Hammond's back is if independent scientists vouch for Hammond's park. With that, Hammond brings paleontologist Alan Grant (Sam Neill) and paleobotanist Ellie Sattler (Laura Dern) to his island. Gennaro for his part brings mathematician Ian Malcolm (Jeff Goldblum) for that verification.

Why these particular figures? Hammond's new island, which he envisions as a nature/amusement park, has brought back the dinosaurs to life. Intoning with a sense of childish glee, he tells Sattler and Grant, "Welcome to Jurassic Park". Hammond, expecting a positive to enthusiastic response from the three scientists, instead encounters firm opposition to the park's existence from all of them, with Malcolm particularly vocal in his objections. Insisting that they will change their minds, all save Hammond go on a motorized tour, with Hammond's grandchildren Lex (Ariana Richards) and Tim (Joseph Mazzello) joining them. 

Tim in particular is an Alan Grant fan, which cuts no ice with him since Grant dislikes children. The tour is a bust, with the dinosaurs not appearing. However, there is chaos growing internally and externally at the park. A tropical storm is brewing, while park technician Dennis Nedry (Wayne Knight) has shut down the systems. Ostensibly, this is for maintenance, but in reality, he is stealing dinosaur embryos to smuggle to Hammond's business rivals. The two things collide when the dinosaurs become loose in the park and Nedry's elaborate computer security software prevents the others from regaining control. 

Soon, total chaos and dinosaurs break out. People start dying and others are in danger. Who will survive and who will not as the dinosaurs start taking over Jurassic Park?

One of the keys to Jurassic Park's success is in anticipation. Director Steven Spielberg builds up the suspense right at the opening, when we see rustling in the trees. We should know that we are not going to see dinosaurs right from the get-go, but the tension builds while we keep getting hints about what they can do. When, later in the film, we see a cow being dropped into a Tyrannosaurus Rex's holding cage, we do not see the dinosaur, but we see the aftereffects of what it did to the cow. The tension slowly builds here too, when big game hunter and Jurassic Park game warden Robert Muldoon (Bob Peck) coldly informs the group that the T. Rex is both smarter and more dangerous than given credit for.

This element in David Koepp and Michael Crichton's screenplay (adapting Crichton's novel) gives audiences hints of what is to come, keeping our interest going. Even after we initially see dinosaurs for the first time at about twenty minutes into Jurassic Park, we know that there will be more. Once we get the first sight of the Tyrannosaurus in all his glorious rage close to an hour into the film, Jurassic Park never fully stops in what audiences expect: visual spectacle and thrills. 

The anticipation continues when it comes to the characters. We know early on that Grant has a dislike to open hatred of children. Therefore, when we see Lex and Tim, we know that there will be conflict. This is added on by knowing that Tim is a big fan, someone who has read Grant's books and is well-versed in Grant's thinking. Tim would be what we would now call a fanboy, so knowing that Grant dislikes children does add two elements to the film. 

The first is a bit of comedy where we see Grant struggle between cool politeness and open contempt. The second is the evolution of his character into a protector of children. Certainly Grant, even for someone who pretty much hates children, is not going to see kids killed. It is an interesting twist that it is Grant, not Malcolm, who risks his life to distract the T. Rex in order to save Lex and Tim. As the film continues, however, Grant becomes fond of them, even allowing himself a moment of humor when he pretends to be electrocuted. It is a credit to Sam Neill that he made Alan Grant both a humorous figure and a man of courage.

This part of Jurassic Park perhaps has not been given much credit: even with the spectacle and visual power of the visual effects, the film does not skimp on the human characters. You have the gleefully wicked Nedry, wonderfully played by Wayne Knight with malevolent joy. Richard Attenborough shows his mix of arrogance, ego and ultimately humility as Hammond, who realizes too late that he cannot control nature. Dern is a showcase for the strong female character, one who can roll her eyes at Hammond's sexism when lives are in danger. However, we also see that she is not a Mary Sue: she too has fears and at one point breaks down in tears. That does not make her weak. It makes her human. In his mix of flirtation, moral indignation and fear, Goldblum does an exceptional job.

The big draw in Jurassic Park are the visual effects, a blend of computer-generated imagery and practical mechanical figures. Despite the passage of thirty years at the time of this writing, the effects in Jurassic Park look thoroughly realistic and appropriately terrifying. To be fair, the birthing of a new dinosaur may not be as completely impressive as it was in 1993, but that is a minor point.

Jurassic Park is also blessed with John Williams score. Appropriately stirring, thrilling and quiet when needed, Williams' music elevates the scenes when it is needed. Note that when the Tyrannosaurus Rex first attacks, there is no music. The lack of music here equally elevates the scene, allowing the tension to build to a fever pitch.

One of the strongest elements in Jurassic Park is that it takes the premise seriously. The T. Rex attack, for example, is played realistically: the kids panicked and terrified, the adults either stunned or cowardly. Extremely well-acted by Richards and Mazzello, this section is simultaneously thrilling and frightening. Richards and Mazzello carry the film well when they have to face the terrors alone.

Jurassic Park will continue to thrill viewers with its mix of brilliant special effects, moments of horror and humor and John Williams' score. A good popcorn film that works on every level, Jurassic Park will never be short of visitors, even on Coupon Day.

DECISION: A-

JURASSIC PARK FILMS

The Lost World: Jurassic Park

Jurassic Park III

Jurassic World

Jurassic World: Fallen Kingdom

Jurassic World Dominion

Jurassic World Rebirth