Thursday, August 25, 2011

And The Honorees Should Be...Part 5

It's been a while since I submitted names for consideration for the Kennedy Center Honors. I see no reason why I can't start up again.  Since my last submissions one (Sydney Lumet) has sadly passsed away.  However, that's not a bad track record.  How strange that I can easily think of so many while the actual Kennedy Center has to scrape to find Oprah Winfrey, whose done more to wreck America than anyone on television not on a reality show.  Well, there it is.

Now, I give out six new names for consideration.

MICHAEL CAINE

It's easy to parody Michael Caine, though like Cary Grant's "Judy, Judy, Judy", I don't think Michael Caine ever actually said in his clipped delivery, "Hello, I'm Michael Caine".   However, throughout his career Caine has given a consistent quality of performances.  From the shameless rake of Alfie through Sleuth (both the original and remake), The Man Who Would Be King, Educating Rita, Is Anyone There?, Children of Men, his two Oscar-winning roles in Hannah & Her Sisters and The Cider House Rules, and now a whole generation will know him as Alfred Pennyworth in the Christopher Nolan Batman films.  Yes, he's made more than his fair share of clunkers, but at least he admits it and laughs about it all the way to the bank.  Not a lot of people know that.




REBA McENTIRE

Few artists can be instantly recognized by just one name.  However, all one has to do is say, "Reba", and just about everyone knows whom you are talking about.  You're talking about the Queen of Country Music.  Once she found her own voice: the traditional country sound, she took music by storm. She doesn't hasn't had a series of hit songs for over thirty years (from Whoever's In New England to Fancy right on down to The Night The Lights Went Out In Georgia and straight through to Turn On The Radio and If I Were A Boy), but has branched out into theater (it almost seems that the title role in Annie Get Your Gun was meant for our country girl), but has had a hit television series...titled, what else, Reba.  Despite the horrible plane accident that claimed members of her band, she's kept going.  She truly is A Survivor. 




LOREENA McKENNITT

If you wish to call her New Age, you can, but I think it's more accurate to refer to Loreena McKennitt's music as ethnic, specifically Celtic or Celtic-influenced. Her melodic voice and passion for music from around the world has created not so much a new genre but a brilliant melding of styles that show how music truly unites all cultures.  McKennitt's elegant compositions, sometimes mixed with writings from the classics, is truly some of the best music around today.  Granted, she's only had one major crossover hit (The Mummer's Dance), but she has remained true to herself and her muse. 




R. CARLOS NAKAI

The Native American has been treated shamefully and shabbily by the Europeans who've come to his continent.  Still, it's a credit to them as nations that they still have a rich culture, and R. Carlos Nakai has done the most to bring the beauty of Native American music to a wider audience.  Nakai has also, like McKennitt, not been afraid of blending traditional Native American music with that of other cultures, showing that one can be respectful of one's own culture while embracing a wider world.


MALCOLM JOHN "DR. JOHN" REBENNACK, JR.

I can't call Dr. John's music strictly jazz, or strictly rock, or Cajun, and not zydeco.  It might be best to call it pure Louisina, a gumbo of sounds that he's perfected to an art form.  In terms of his style, he is truly unique, with his showmanship and musical abilities mixing brilliantly with his voice.  When New Orleans needs a champion and a reminder of what good music the Crescent City can produce, it's time to call on the good doctor.  Thanks to The Princess and the Frog, I'm slowly discovering Dr. John, and so far, it sounds good. 



ELI WALLACH

Master of stage, screen, and television, he spands nearly a century of great performances.  Just in terms of his film work, who can forget he was one of The Magnificent Seven or the ugly in The Good, The Bad, and The Ugly (though ugly is the last word I'd use to describe him as an actor or person).  He was one of the few good things in The Godfather Part III (an abysmal film with only Wallach and Andy Garcia making it bearable).  Let's also remember he's probably one of the last people around who worked with the likes of Tennessee Williams, Elia Kazan and Marilyn Monroe.   Even now, he still works: let's remember his most recent movie was Wall Street: Money Never Sleeps.  It shows he doesn't rest on his laurels.  

Thus are my suggestions to the Kennedy Center.  When the announcement is made as to whom they will honor, I will finally see if I get one right. 

No comments:

Post a Comment

Views are always welcome, but I would ask that no vulgarity be used. Any posts that contain foul language or are bigoted in any way will not be posted.
Thank you.