Who better to portray the lusty Czarina of All the Russias than the outrageous Tallulah Bankhead? A Royal Scandal makes a good go of trying to be a screwball comedy amidst the Czarist Court. It did not quite hit the mark. However, it barely squeaked by.
There is perpetual intrigue within the palace halls. Chancellor Nicolai Ilyitch (Charles Coburn) wants nothing but a firm treaty with France. General Ronsky (Sig Ruman) wants to install his idiot nephew Boris (Grady Sutton) as the new head of the Palace Guard. Captain Sukov (Mischa Auer) wants nothing more than to have the West Gate secured.
Czarina Catherine II (Bankhead) is a bit mercurial when it comes to everything and everyone. She has only one friend, her lady-in-waiting Countess Anna (Anne Baxter). A surprise friend is the dashing Lieutenant Alexie Chernoff (William Eythe). Fanatically loyal to "Mother Russia" (a term that Her Majesty winces at), he storms his way into a private audience to warn her of a plot. Fortunately, Catherine and Nicolai already knew of the plot. However, the lusty Kate takes a shine to the luscious officer. That he and Countess Anne are engaged is not important to Her Majesty.
The poor French diplomat (Vincent Price) is kept forever waiting while Alexei and Catherine find themselves working on very intimate terms. Eventually, Anne becomes so enraged that she defies Catherine to her face, bringing about an exile. Alexei, full of youthful vigor, proposes a series of reforms to the empire. These reforms appall the Chancellor. However, Ronsky, no longer tied to his dimwit relation, looks to Alexei to seize the throne. Catherine has elevated him higher and higher, and now is the head of the Palace Guard. Who will Alexei side with? Will Catherine keep her crown and her head?
A Royal Scandal was originally meant to be directed by Ernst Lubitsch. He, however, became ill and had to withdraw from directing the film. Lubitsch is listed instead as the producer. A Royal Scandal, this intended screwball comedy, was directed instead by Otto Preminger. I struggle imagining that there could have been a worse choice to direct a fast-paced witty film than the man who brought us such films as Laura, Anatomy of Murder and Exodus. Granted, the last two were far into the future. However, Preminger seems wildly out of place directing what I figure was intended as some kind of madcap romp.
Edwin Justus Mayer and Bruno Frank's adaptation of the play The Czarina gives the actors a lot of lines that are meant to be funny. "That's the trouble with France, too many Louis!" Chancellor Nicolai observes early on. Later on, Nicolai takes umbrage at Alexei's offer to give him access to Catherine in exchange for money. "You can't bribe the Chancellor of Russia!" he exclaims. Doing a quick double take, Nicolai adds, "Not with fifty rubles".
Alexei and Catherine discuss his ideas for improving the lot of the peasants. "They are the backbone of the nation", he says. "Yes, I know. There's nothing like a good peasant", Her Majesty replies. Catherine is astonished to find one of Alexei's proposed reforms in the trash. Commenting on this "Edict 52", she asks what it is about. "I don't know, Your Majesty. I didn't read it". "You didn't read it?! They when did you throw it away?" she exclaims. He replies instantly, "I read the other fifty-one".
These lines, and others, indicate that A Royal Scandal was intended to be fast-paced, zippy and full of quips. The actors delivered them the best way that they could. However, it was always a bit off. The pacing was just a beat off. Somehow, it played as if it were a play. One almost suspects that Preminger expected laughter from the audience and made room for them on the screen. However, the efforts to be a bit deadpan ended up making A Royal Scandal a bit dead itself.
This is reflected in some of the acting. Vincent Price had a small role as the French ambassador. Sporting a French accent that makes Inspector Clouseau sound like Alain Delon, it leaned way too heavily on farce. It was a good thing that Price was not much in A Royal Scandal. He was not terrible. Instead, he seemed rather forced in his efforts to make the ambassador funny.
More surprising is how Anne Baxter leaned into the broadness that pushed A Royal Scandal down. She seemed forced and exaggerated in her scenes with Eythe. She was much better when working with Bankhead and Coburn. There did not seem to be that much stiffness there.
William Eythe was pleasant enough and handsome enough as the courtier who turns Catherine's head. He was fine. He was not great. He was not terrible.
The two standouts were Charles Coburn and Tallulah Bankhead. Coburn made a great effort to make the Chancellor funny. Preminger did not direct him or anyone well, but Coburn acquitted himself respectfully. Tallulah Bankhead never became a film star. Here, however, she made Catherine into this somewhat scatterbrained figure. She was no bellowing tyrant. Instead, she was haughty, sometimes unaware of how things sounded. She came as close as anyone to capturing the attempts to make A Royal Scandal witty and fast-paced.
A Royal Scandal has nice sets and costumes befitting this type of film. It also has a very jolly score from Alfred Newman. In many ways, everything in A Royal Scandal is there to make it a sparkling comedy. However, something was missing. Maybe it was the Lubitsch Touch. The film ended up playing like a weird imitation of a Lubitsch film.
A Royal Scandal is not bad. Tallulah Bankhead and Charles Coburn do lift the project, however, slightly. It is barely passable and leaves one wondering what could have been if it had a better director.
CATHERINE II FEATURE FILMS & TELEVISION PRODUCTIONS
The Great (2020-2023)

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